Comments for Woody's SOUND ADVICE

Comment on INTERVIEW: Monique Reymond – Foley Artist by cindy

cindy — Thu, 02 Feb 2012 14:24:07 +0000

i wish i had that job:) this i great

Comment on INTERVIEW: David Stone – Supervising Sound Editor by Scott Purvis

Scott Purvis — Tue, 29 Nov 2011 17:10:56 +0000

Excellent interview!

It was amazing to read about what could be accomplished with a Moviola and a wall of Mag.

Comment on INTERVIEW: David Stone – Supervising Sound Editor by Paul Chauncy

Paul Chauncy — Sun, 06 Nov 2011 17:16:27 +0000

Thanks for this great interview. I really hope David Stone gets around to writing a book on early animation sound. It’s very hard to find information about innovators like Jimmy Macdonald and Treg Brown.

Comment on INTERVIEW: David Stone – Supervising Sound Editor by David Stone, o criador dos sons dos desenhos de Hanna & Barbera | Caos Ordenado

Mon, 24 Oct 2011 13:40:27 +0000

[...] efeitos sonoros dos desenhos de Hanna & Barbera? Boa parte deles surgiu por acidente. É o que explica David Stone, o maluco por trás de efeitos sonoros de títulos que vão de Capitão Caverna e Scooby Doo até o [...]

Comment on INTERVIEW: David Stone – Supervising Sound Editor by Louise Brown

Louise Brown — Wed, 19 Oct 2011 21:03:15 +0000

Amazing interview, made my evening.

Comment on INTERVIEW: David Stone – Supervising Sound Editor by Interview with David Stone

Interview with David Stone — Wed, 19 Oct 2011 19:46:58 +0000

[...] Continue reading… cartoons, david stone, film sound, films, interview, sound design, supervising sound editor, woody sound advice, 0 Leave a Reply [...]

Comment on News – Fall 2011 by Kristi

Kristi — Fri, 07 Oct 2011 05:07:38 +0000

Woody –

Wow, you’ve been busy! Congrats on all that you’re doing…Keith and I are really looking forward to seeing you at PCONN. My best to you and Wendy.

Comment on SESSIONS-AUDIO POST-Sound for Documentaries:Preparation by Scott Purvis

Scott Purvis — Sat, 25 Jun 2011 23:31:39 +0000

Having worked with people who couldn’t quite fathom that shooting a quiet, romantic scene next to an airfield at 6:00 am during a thunderstorm might not yield the best sounding production dialogue, I hope the message gets out. Excellent article.

Comment on INTERVIEW: Dominique Preyer – Music Supervisor by David

David — Sat, 19 Feb 2011 03:25:02 +0000

Good running into you again, David L Graham…

Comment on INTERVIEW: Sandy Gendler – Supervising Sound Editor by bcj.

bcj. — Fri, 07 Jan 2011 17:22:38 +0000

Thanks for putting this out there for us. It was a lot of insightful info. Good read.