Saturday, February 9, 2013
Neil Shaw is a master acoustical consultant whose Menlo Scientific has tamed many a sound issue. From Court Houses to Sports Facilities, Screening Rooms and Academic spaces, he has made a career out of mitigating sound issues before they arise. A soft-spoken, humorous guy with a distinct Queens accent and attitude, Neil is also […]
Thursday, October 13, 2011
If you’ve seen any 70’s era Hanna Barbera cartoons or any major motion pictures over the last several decades you’ve heard the craftsmanship of David Stone. He has worked with some of the most creative and unique directors and producers in Hollywood and picked up an Oscar© [Oscar is the sole property of the Academy […]
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Tagged Academy Award, animated feature, animation, audio, audio post, audio post production, David Stone, Dracula, feature film, Foley, Geoffrey Woodhall, sound design, sound editing, sound mixing, Woody Woodhall
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Wednesday, December 1, 2010
Sandy Gendler has worked in just about every aspect of audio post production – from effects editor to Foley and ADR editor to sound designer and supervising sound editor. His career includes many well known Hollywood features such as “Independence Day”, “U-571”, and Paul Haggis’s Oscar winning “Crash” . He has been twice BAFTA nominated […]
Jeff Toyne is a composer whose oeuvre includes feature films, many shorts — including two nominated for Academy Awards, composer for “The Two Coreys†on A&E and is renowned for his extensive orchestrations for Hollywood features such as District 9 and Sky Captain and the World of Tomorrow. He splits his time between Vancouver and […]
Owner of the newly formed company, Hear It – Clear It Music Supervision, Dominique Preyer, is an experienced music supervisor with a background in music publishing and songwriting. As head of the music department, he has music supervised over 35 films as well as serving as executive producer and producer on two short films. Dominique […]
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Tagged Allied Post Audio, audio post, audio post production, Dominique Preyer, Geoffrey Woodhall, independent film, indie film, music clearance, music licensing, music publishing, music supervision, Music supervisor, sync rights, Woody Woodhall
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Friday, February 27, 2009
Chuck Martin, one of the busiest music editors in Hollywood took a moment to talk shop about what he does and how much he enjoys it. WOODY: How did you get into post-production audio? CHUCK: Music editing. That was my first and only jump into post-production audio, right into music editing. My wife was a […]
Eric gave up a much valued lunch break to talk with us a bit about location audio. He has a vast amount of experience which includes recording live TV morning shows to feature films to game shows and to episodic television. Some notable recent highlights include “Scrubs”, “Big Love”, “Hannah Montana” and “Tenacious D – […]
I have the pleasure of sharing this great interview with Monique Reymond a top Hollywood Foley artist. Monique was nominated for a prime time Emmy award for her work on the TV series “Survivor” (yes – they Foley Reality TV too, we’ll get into that) and this year won a 2008 Golden Reel Award for […]
Todd Sklar, writer and director of “Box Elder” has just wrapped the first leg of his nationwide tour for the film. The tag line for his movie “Box Elder” seems to sum up what it’s all about best – “On the the road to nowhere, these guys call shotgun.” Todd took time out from scheduling […]
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Tagged Allied Post Audio, audio post production, Box Car FIlms, Box Elder, Brock Williams, Geoffrey Woodhall, independant film, indie film, Range Life Entertainment, Todd Sklar, Woody Woodhall
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Jackie took time out from her crazy schedule to talk with us about the art and process of dialog editing. She is also an accomplished pianist and composer. Woody: How did you first get into dialog editing? Jackie: I was just a musician and I wanted to do something else. My major had been film […]