Sound for documentary film is a skill where typically there are no “second chances.†If you are running after an interview or have a high profile person giving you five minutes of their valuable time and you’ve improperly recorded the audio, you may have blown a key moment from your film. The importance for great audio cannot be over stressed.
Also filed in Audio Post
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Tagged Allied Post Audio, audio, audio post production, documentary, filmmaking, Geoffrey Woodhall, indie film, microphones, recording sound, sound design, sound recording, Woody Woodhall
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Wednesday, December 1, 2010
Sandy Gendler has worked in just about every aspect of audio post production – from effects editor to Foley and ADR editor to sound designer and supervising sound editor. His career includes many well known Hollywood features such as “Independence Day”, “U-571”, and Paul Haggis’s Oscar winning “Crash” . He has been twice BAFTA nominated […]
Wednesday, September 22, 2010
Audio post is made up of several different elements. The simplest way to look at the various breakdowns is the D, M & E. This is the dialog material (D), the musical material (M) and the sound effects material (E). Within those three simple categories however is a whole lot of other stuff. For instance, […]
Jeff Toyne is a composer whose oeuvre includes feature films, many shorts — including two nominated for Academy Awards, composer for “The Two Coreys†on A&E and is renowned for his extensive orchestrations for Hollywood features such as District 9 and Sky Captain and the World of Tomorrow. He splits his time between Vancouver and […]
Owner of the newly formed company, Hear It – Clear It Music Supervision, Dominique Preyer, is an experienced music supervisor with a background in music publishing and songwriting. As head of the music department, he has music supervised over 35 films as well as serving as executive producer and producer on two short films. Dominique […]
Also filed in Interviews
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Tagged Allied Post Audio, audio post, audio post production, Dominique Preyer, Geoffrey Woodhall, independent film, indie film, music clearance, music licensing, music publishing, music supervision, Music supervisor, sync rights, Woody Woodhall
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Friday, February 27, 2009
Chuck Martin, one of the busiest music editors in Hollywood took a moment to talk shop about what he does and how much he enjoys it. WOODY: How did you get into post-production audio? CHUCK: Music editing. That was my first and only jump into post-production audio, right into music editing. My wife was a […]
Thursday, September 11, 2008
OMF files are an essential component for audio post workflow.  OMF or Open Media Framework is a file format developed by Avid Technology as a way to more conveniently transfer digital data. It was originally released in 1990 and then updated in ’96 , it’s a standard and it’s a bit long in the tooth. […]
Also filed in Audio Post
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Tagged Allied Ppost Audio, audio post production, Avid, Final Cut Pro, Geoffrey Woodhall, independant film, indie film, OMF, sound design, sound editing, Woody Woodhall
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